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・ Nobuo Kawakami
・ Nobuo Kishi
・ Nobuo Kojima
・ Nobuo Kubota
・ Nobuo Kyo
・ Nobuo Matsunaga
・ Nobuo Matsuno
・ Nobuo Mii
・ Nobuo Nakagawa
・ Nobuo Nakamura
・ Nobuo Nashiro
・ Nobuo Okishio
・ Nobuo Oshima
・ Nobuo Sasaki
・ Nobuo Satō
Nobuo Sekine
・ Nobuo Serizawa
・ Nobuo Suga
・ Nobuo Tanaka
・ Nobuo Tobita
・ Nobuo Uematsu
・ Nobuo Yoneda
・ Noburu Katagami
・ Noburō Ōfuji
・ Nobusada
・ Nobusha Station
・ Nobushige Kumakubo
・ Nobusuke
・ Nobusuke Kishi
・ Nobuta wo Produce


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Nobuo Sekine : ウィキペディア英語版
Nobuo Sekine

Nobuo Sekine (関根伸夫, Sekine Nobuo), born in (), is a Japanese sculptor currently living in both Tokyo, Japan, and Los Angeles, California.
He is one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves.
==Early career==

Nobuo Sekine was born in 1942 in Shiki City, Saitama Prefecture, Japan. From 1962 to 1968, he was a student in the painting department at Tama Art University in Tokyo, where he studied under influential artist-teachers Yoshishige Saito and Jiro Takamatsu. Takamatsu’s illusionistic paintings and sculpture were central to the development of the Tokyo art scene at that time.
Sekine’s early work reflected this approach. He was included in the seminal ''Tricks and Vision: Stolen Eyes'' group exhibition held at Tokyo Gallery and Muramatsu Gallery in 1968. There, he exhibited ''Phase No.4'' (1968) (位相 No.4), a wall-mounted sculpture. Depending on the angle from which one viewed this work, its cylindrical shape appeared whole or fragmented. Sekine held his first solo exhibition at Tokyo Gallery the following year.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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